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Showing posts with label wicca and witchcraft. Show all posts
Showing posts with label wicca and witchcraft. Show all posts

Saturday, October 2, 2010

The Odinist Anthology Selection From The Runestone

The Odinist Anthology Selection From The Runestone Cover

Book: The Odinist Anthology Selection From The Runestone by Asatru Free Assembly

This anthology represents some of the contents of THE Runestone over a span of more than ten Years, from issue number two almost to the Present. During this decade-long his tory of publication, THE RUNESTONE and the organization which 1 t represents underwent a mu1 t i tude of changes, becoming more so~histicated, broader in perspective, and more polished in Presentation with the Passage of time, Hopefully the reader will be able to trace this evolution.

This collections designed to Provide the Person new to Odinisml, or Asatru, with something beyond the single leaflets which may have been his or her introduction to the religion. It is by vo means comprehensive, but it will give the student of Asatru a wealth of information which will make it easier to Proceed on to other sources of greater depth and comlexity. In this respect It fills a gap which has long been an irritant to new asatruarar.

The Articles have been edited for gramnotical and typogra~hical errors, and in some cases they have been "tightened upn by deletion of irrelevancies, but the flavor of the original has been kept - blemishes and all. Our beginnings were humle, to say the least, and the first funbling atteists to Present our world-view seem a little pitiable from today's standpoint, But every venture has to begin somewhere, and we have come a long, long way from those early attemts to put thoughts to Paper, This slim volume is presented in the firm belief that gut- Jgurney has barely begun, and that THE RUNESTONE and the Asatru Free Assembly will attain heights which today cannot even be seen because of the clouds which obscure the summit of acconlishment.

I would like to thank the Authors of these selections for their support, along with Prudence, Maddy, and Ariel. I t couldn't have been done without them. (Stephen A. McNallen
Denaic California)

Download Asatru Free Assembly's eBook: The Odinist Anthology Selection From The Runestone

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Horace Wallis - The Cosmology Of The Rigveda
James Anderson - The Constitutions Of The Freemasons 1734
Aleister Crowley - Ambergris A Selection From The Poems Of Aleister Crowley
Asatru Free Assembly - The Odinist Anthology Selection From The Runestone

Thursday, September 30, 2010

Sunday Sacredness In Roman Paganism

Sunday Sacredness In Roman Paganism Cover

Book: Sunday Sacredness In Roman Paganism by Robert Leo Odom

With most of the Christian world honoring Sunday as their day of worship, the question of its origin becomes important.

Over the past hundred years much has been written about the use of the week among ancient pagan peoples. However, little has been done to compile such historical material into an easily accessible book for the general public.

Robert Leo Odom for years has conducted special research on the Sabbath-Sunday question. In "Sunday in Roman Paganism," he leads readers through the pages of history showing the rise of the planetary week and its "day of the Sun" in the heathenism of the Roman world during the early centuries of the Christian era.

This book is not a capsulated history of Sunday as a church festival, but rather the history of the planetary week as it was known and used in the pagan world, and to show whether or not its "day of the Sun" was then regarded by pagans as being sacred to their Sun-god.


Robert Leo Odom is author of The Certainty of Life After Death, Sunday in Roman Paganism, The Lord's Day on a Round World, and What Do The Astrologers Know?

Download Robert Leo Odom's eBook: Sunday Sacredness In Roman Paganism

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Robert Leo Odom - Sunday Sacredness In Roman Paganism

Power Of Kundalini

Power Of Kundalini Cover Power of Kundalini flows through the seven major Chakras moving up and down the spine and that “according to Hindu tradition the Kundalini raises from the root-chakra up through the spinal channel, called sushumna, and it is believed to activate each chakra it goes through” and “in raising Kundalini, spiritual powers (siddhis) are also believed to arise, but many spiritual traditions see these phenomena as obstacles on the path, and encourages their students not to get hung up with them”.

According to most experts, the power of the Kundalini force can take many years to completely unfold and is often likened to the opening of the great and beautiful flower of the soul. Great caution is advised by almost every resource in awakening the Kundalini within as it houses immense power and spiritual abilities. Most of which the untrained lay person is not equipped to handle.

The Kundalini is historically known by the Hindus as the serpent coiled at the base of the spine. The symbol of the Caduceus symbol has been said to be an ancient representation of Kundalini physiology. When this serpent is awakened and begins to move up the spine through the Chakras this is known as “Pranic Awakening”, Prana being the energy of life and all living things which sustains existence. This energy then begins to move through the living body and spirit and ultimately to be made manifest in magick and miraculous power.

There are of course many stories of unleashing the Kundalini force by some sort of accident or major life event such as a near death experience. There are a long list of complications or symptoms associated to this experience such as emotional instability, psychological imbalance, various strange or unexplained physical sensations and muscular spasms, oddities in hyperactivity or sleep pattern as well as sexual drives. Most of those who go through this accidental awakening also find they have a profoundly deeper understanding of themselves, their universe and may even grasp concepts that were far beyond their previous skill or knowledge base.

Kundalini is believed to be activated best by a natural and specific, in not simplistic, process. And I quote “This happening of Kundalini awakening and ultimate union with a higher consciousness are described by a Sanskrit word ‘Sahaja’. This means literally ‘born with,’ spontaneous or effortless. The implication is that the entire mechanism is inborn — part of human anatomy — and is activated in a spontaneous and natural way without undue or extreme efforts.”

Most people who subscribe to the belief in Kundalini power follow a Hindu path or are at least trying to unlock this power via the disciplines of Yoga or Tantric Magick. All of these concepts can be simple to grasp but take time to fully actuate or digest. I do not suggest that you can understand the mysteries of the power of Kundalini quickly but I do believe that we all have this seed within ready to blossom in each of us.

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Wednesday, September 29, 2010

Ostara Ritual Celebrating

Ostara Ritual Celebrating Cover Ostara: ritual celebrating the coming of spring, and thus also the beginning of planting. Dates this was celebrated on varied, but tended to fall around the vernal equinox. Eggs are painted with bright colors, and hidden, and hunts are conducted for them. (Eggs are a symbol of new life, and fertility. Rabbits are a symbol of this day too, for the same reason.) Other games are sometimes played with the eggs too, such as racing with them balanced on a spoon, or rolling them downhill. Eggs are ritually thrown high into the air too, and as high as the eggs fly, that is how high the crops shall grow. A procession, led by an ass, begins festivities which include a game called "Osterball". Dancing is an important part of the celebrations. Ostara bonfires are also lit. No flesh is eaten by mariners this day, to ensure safety from storms.

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Ways Of The Asatru

Ways Of The Asatru Cover

Book: Ways Of The Asatru by Michael Smith

There are two issues which I would like to bring to the reader's attention concerning this book. The first would be that this book should not, by any means, be considered an absolute authority on Asatru. The reader is encouraged to read other books, do research, and explore their own hearts to find their own religious and spiritual truths. The main reason for that would be because of the second issue I have to briefly make note of.

The second would be that regardless of all, Asatru is chiefly a religion of the individuals' spiritual path. Although there is a strong sense of community that is encouraged, it is up to the individual to find what rings true to them for their own spiritual health. Asatru itself is a religion of fairly broad guidelines. It is up to the individual to decide where within those broad guidelines they lay in what they believe.

So please, dear reader, I will be bold in giving you a set of "rules" for those who decide to research or become Asatru. Rule # 1 is: Be your own scholar. Asatru is a religion with homework. This extends to not just contemporary writers but, to authors in the fields of linguistics, history, archeology, and other scholarly fields of study. All can help you in your spiritual quest. Rule # 2 is: Always get different perspectives. This is a religion that has its roots in the past, but is (and must be!) evolved within modern context. And it must and will evolve as the future unfolds.

This book has been screaming to come out of my head for quite some time. Folks over the years have asked me, "Why don't you write a book or something?" My response was usually a humorous, "Don't you think I drive enough Asatru folks nuts already?" Then I started thinking about it more seriously as my 12th anniversary of becoming Asatru came closer, and figured it was time to unleash my brain upon the masses. I only hope it helps some folks on their travels. As I know, just writing it has helped my own. Also, the fact that every time there’s a good beginner book out, it goes out-of-print. This way, by self-publishing, it won’t go out-of-print.

Lastly, I'd like to thank the folks who kept pushing me to do it and whom I've found their friendships and debates helpful. I'd like to thank all of Raven Kindred North, Vingolf Fellowship, Medoburg Kindred, Tim McKinney (co-founder of Athelingulf Fellowship), and the countless individual Asatru folks who I've harassed, infuriated, and got into huge debates with over countless thoughts, theories, and beliefs. Without challenge, the mind never evolves and grows.

But most of all, I want to thank my beautiful wife, Catheryn, my precious daughter, Freyjadis, and my strong son, Tiarnan, for being my highest inspirations. - With Honor, Michael J. Smith

Download Michael Smith's eBook: Ways Of The Asatru

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Stephen Mcnallen - What Is Asatru
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Monday, September 27, 2010

Groa List Of Recommended Heathen Reading

Groa List Of Recommended Heathen Reading Cover

Book: Groa List Of Recommended Heathen Reading by Ann Groa Sheffield

This list contains only books that I have personally read and found to be of value in some way. Since I haven't read everything, this inevitably means that some excellent books have been omitted. My personal opinions and tastes are evident throughout; they are no
more and no less than that.

Mostly, I have listed only books that I believe to be in print, or at least easily obtainable. If you find that a work listed here has gone out-of-print or become hard to find, or if you find errors in ISBN’s or other key data, please let me know. -Ann Groa Sheffield

Download Ann Groa Sheffield's eBook: Groa List Of Recommended Heathen Reading

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Israel Regardie - The Art Of True Healing
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Ann Groa Sheffield - Groa List Of Recommended Heathen Reading

Sunday, September 26, 2010

The New Flesh Palladium

The New Flesh Palladium Cover

Book: The New Flesh Palladium by Robert North

Enter the realm of the New Flesh Palladium freely and of your own will. The author of this book, Robert North, is perhaps best known to the general public as the erudite translator and editor of the once obscure occult classic Sexual Magic by Paschal Beverly Randolph (1990). But there is a deeper side to the story. The author ... takes us on a dramatic adventure in the history of sexual magic.

The author of this work, Robert North,is perhaps best known to the general public as the erudite translator and editor of the once obscure occult classic SEXUAL MAGIC by P.B. Randolph. Now, in the form of a historical treatment of sexual magic, North introduces the world to the ideas of the New Flesh Palladium. the author takes us on a journey from the Heaven and Hell of Emanuel Swedenborg, through the realms of Mesmer and the Marquis de Sade, and into the worlds of aleister crowley and Wilhelm Reich. In the course of this journey we discover the philosophy of the New Flesh---a dramatic adventure in the history of sexual magic.

Buy Robert North's book: The New Flesh Palladium

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John Sebastian Marlowe Ward - The Fellow Crafts Handbook
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Lady Galadriel - The New Book Of The Law

Saturday, September 25, 2010

Ethics In Germanic Neopaganism

Ethics In Germanic Neopaganism Cover Ethics in Germanic Neopaganism are guided by a concept of personal orlog or wyrd, encompassing the notions of both fate and luck. The belief in Wyrd — a concept of fatalism or determinism, similar to some Graeco-Roman concepts of destiny is a commonly held belief amongst most Germanic Neopagans. People's personal destinies are shaped in part by what is past, in part by what they and others are now doing, by the vows they take and contracts they enter into. The Germanic Neopagan community is primarily bound together by common symbological and social concepts. Personal character and virtue is emphasized: truthfulness, self-reliance, and hospitality are important moral distinctions, underpinning an especially cherished notion of honour. Germanic Neopaganism notably lacks any discussion of redemption or salvation.

The Asatru Folk Assembly and the Odinic Rite encourages recognition of an ethical code, the Nine Noble Virtues, which are culled from various sources, including the Havamal from the Poetic Edda.

Although Germanic Neopagans revere the forces of nature, Germanic Neopaganism is not a "nature religion" in the sense of other currents often found in Neopaganism, and adherents oppose neither technology nor its material rewards. More mystical currents of Heathenry may be critical of industrialization or modern society, but even such criticism will focus on decadence, lack of virtue or balance, rather than being a radical criticism of technology itself.

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William Mansfield Groton - The Christian Eucharist And The Pagan Cults
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A Irmandade De Odin In Portuguese

A Irmandade De Odin In Portuguese Cover

Book: A Irmandade De Odin In Portuguese by Mark Mirabello

O Odinismo tambem conhecido como "Asatru" (termo islandes para "Lealdade aos Deuses") e, em sua encarnacao moderna, a tentativa de reconstruir o mais fielmente possivel a antiga religiao Nordica. Devido a falta de textos, artefatos ou templos sobreviventes alguns detalhes estao para sempre perdidos. Para preencher esses detalhes, os adeptos tem que recorrer a pesquisas arqueologicas, trabalhos academicos e textos sobreviventes. As principais fontes literarias sao as Sagas islandesas e vikings, bem como os textos conhecidos como "Eddas" (existem duas versoes o chamado "Edda Poetico" e o "Edda em Prosa"). Embora nao tenham o status de "livros sagrados" ou "revelacoes" esses trabalhos nos dao as informacoes mais importantes sobre as crencas e os principais deuses venerados na epoca dos Vikings. De uma certa maneira, A irmandade de Odin, e uma rendicao moderna do conteudo dos Eddas. Mas e muito mais do que isso.

As primeiras manifestacoes publicas dessa nova/antiga fe em nossos tempos aconteceram em 1960, na islandia. O livro que voce agora tem em maos nos da, entretanto, uma nova e desconcertante visao: o Odinismo nao apenas teria sobrevivido a furia das conversoes cristas no norte da Europa como tornou-se uma religiao clandestina, preservando suas crencas e iniciando seus membros desde 1421. A palavra "iniciando" deve ser tomada em seu sentido esoterico: um grupo de guerreiros, homens e mulheres extraordinarios, teriam fundado uma sociedade secreta que preservou rituais poderosos e um conhecimento incomum sobre os deuses e deusas dos povos nordicos.

Mesmo que o leitor nao possa aceitar as crencas descritas neste livro (e a propria tendencia em ver as informacoes aqui contidas como "alegoricas" e visto como um sinal de decadencia de nosso mundo atual), acredito que ele nao saira intocado pela forca e brilho do tipo de ser humano que e valorizado pela irmandade. Mesmo que nao se possa aceitar a existencia da irmandade de Odin tal como descrita aqui, e impossivel negar que mais do que nunca precisamos do espirito e da visao que esta por tras da irmandade. Se o leitor conseguir incorporar em si esse espirito, entao pelo menos um dos objetivos da irmandade de Odin ja tera sido atingido.

Gostaria de agradecer as pessoas que tornaram essa traducao possivel: Em primeiro lugar, ao Dr. Mark Mirabello por sua imediata adesao e suporte a ideia de traduzir seu trabalho para o Portugues. Aos meus irmaos e irmas Odinistas (alguns deles membros da irmandade) que me apoiaram, incentivaram e responderam as minhas diversas duvidas ao longo do processo. E finalmente, mas nao menos importante, a minha esposa, Raquel, que faz todas as coisas valerem a pena. - Marcos Rogerio Estevam

Download Mark Mirabello's eBook: A Irmandade De Odin In Portuguese

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Mark Mirabello - A Irmandade De Odin In Portuguese

Stories From Northern Myths

Stories From Northern Myths Cover

Book: Stories From Northern Myths by Emilie Kip Baker

"Stories from Northern Myth" written in 1914 by Emilie Kip Baker. Most of the existing records on Norse mythology date from the 11th to 18th century, having gone through more than two centuries of oral preservation in what was at least officially a Christian society. At this point scholars started recording it, particularly in the Eddas and the Heimskringla by Snorri Sturluson, who believed that pre-Christian deities trace real historical people. There is also the Danish Gesta Danorum by Saxo Grammaticus, where the Norse gods are more strongly Euhemerized. The Prose or Younger Edda was written in the early 13th century by Snorri Sturluson, who was a leading skald, chieftain, and diplomat in Iceland. It may be thought of primarily as a handbook for aspiring skalds. It contains prose explications of traditional "kennings," or compressed metaphors found in poetry. These prose retellings make the various tales of the Norse gods systematic and coherent.

The mythological literature relates the legends of heroes and kings, as well as supernatural creatures. These clan and kingdom founding figures possessed great importance as illustrations of proper action or national origins. The heroic literature may have fulfilled the same function as the national epic in other European literatures, or it may have been more nearly related to tribal identity. Many of the legendary figures probably existed, and generations of Scandinavian scholars have tried to extract history from myth in the sagas.

Sometimes the same hero resurfaces in several forms depending on which part of the Germanic world the epics survived such as Weyland/Volund and Siegfried/Sigurd, and probably Beowulf/Bodvar Bjarki. Other notable heroes are Hagbard, Starkad, Ragnar Lodbrok, Sigurd Ring, Ivar Vidfamne and Harald Hildetand. Notable are also the shieldmaidens who were ordinary women who had chosen the path of the warrior. These women function both as heroines and as obstacles to the heroic journey.

Download Emilie Kip Baker's eBook: Stories From Northern Myths

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Emilie Kip Baker - Stories From Northern Myths

Thursday, September 23, 2010

Icelandic Poetry Or The Edda Of Saemund

Icelandic Poetry Or The Edda Of Saemund Cover

Book: Icelandic Poetry Or The Edda Of Saemund by Loptsson

The Poetic Edda is a collection of Old Norse poems primarily preserved in the Icelandic mediaeval manuscript Codex Regius. Along with Snorri Sturluson's Prose Edda, the Poetic Edda is the most important extant source on Norse mythology and Germanic heroic legends.

Codex Regius was written in the 13th century but nothing is known of its whereabouts until 1643 when it came into the possession of Brynjolfur Sveinsson, then Bishop of Skalholt. At that time versions of the Prose Edda were well known in Iceland but scholars speculated that there once was another Edda—an Elder Edda—which contained the pagan poems which Snorri quotes in his Prose Edda. When Codex Regius was discovered, it seemed that this speculation had proven correct. Brynjolfur attributed the manuscript to Semundr the Learned, a larger-than-life 12th century Icelandic priest. While this attribution is rejected by modern scholars, the name Semundar Edda is still sometimes encountered.

Bishop Brynjolfur sent Codex Regius as a present to the Danish king, hence the name. For centuries it was stored in the Royal Library in Copenhagen but in 1971 it was returned to Iceland.

Download Loptsson's eBook: Icelandic Poetry Or The Edda Of Saemund

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Loptsson - Icelandic Poetry Or The Edda Of Saemund

Wednesday, September 22, 2010

Road To Hel A Study Of The Conception Of The Dead

Road To Hel A Study Of The Conception Of The Dead Cover

Book: Road To Hel A Study Of The Conception Of The Dead by Hilda Roderick Ellis

Professor and Mrs. Chadwick I owe more than can be easily expressed: the discovery of both the inspiration and discipline of research, and unfailing help, both with practical advice and encouragement, the whole of the way. I would like also to thank Mr. and Mrs. J. M. de Navarro and Mr. G. N. Garmonsway for many suggestions and for their sympathetic interest; and Miss G. D. Willcock, who read the book in manuscript, and Miss Helen Brown, who read the proofs and assisted with the index, for their helpful criticism and support. Finally my thanks are due to the Syndics of the University Press for undertaking the publication of this book, despite the difficulties of war-time, and to its Staff for the courtesy and efficiency they have shown throughout. (H. R. ELLIS)

In this book an attempt has been made to collect the evidence concerned with one important aspect of Norse heathenism: ideas about the fate of man after death. The conception which has made the strongest appeal to popular imagination is that of the warrior paradise, Valhalla; and it is surprising at first to have to realise that this is only one of many conflicting pictures of the realm of the dead, and one moreover which occupies only a very small section of the prose and poetry which has come down to us. One of the many problems which still awaits an answer is whether from the vast accumulation of evidence relating to the dead it is possible to make out any definite and consistent presentation of the other world, and of the fate of man beyond the grave. In attempting to find a solution of this problem, we may gain help from the fact that archaeology as well as literature has evidence to offer us, in particular about funeral customs; and no more dramatic introduction could be desired than that presented by the heathen graves which have been explored in Scandinavia, with their rich implications of ship-funeral and human sacrifice. Beside the study of funeral customs, such a survey as this must include all that can be discovered about the conception of a realm or realms of the dead, any traces of a cult of the dead which have been recorded, and any indication which the literature can give as to the nature of survival after death according to heathen thought. Finally, in the concluding chapters we shall pass on to certain conceptions which appear to be of seine importance, those connected with the relationship between the world of the living and that of the dead. Here there are two main aspects to be considered: the consultation of the dead by the living, and the entry of the living soul into the world of the dead to learn its secrets.

This approach is particularly important in dealing with incidents from the Icelandic sagas which have to do with the supernatural. While it is universally recognised that the majority of these are based on the doings of historic persons and on reliable local tradition, passages which bring in the supernatural element are apt to be eyed with suspicion and dismissed as fictitious interpolations to enliven the story. Moreover, the high literary quality of the sagas as a whole means that a form and unity have been given to their plots which could never have resulted from the mere slavish recording of accurate facts; and how much then of the heathen background is to be attributed to the creative imagination and shaping hand of the storytellers who have worked on the original traditions about local heroes? It remains to be seen whether the evidence for heathen practices given in these tales gives us reason to believe that they are based on actual customs and genuine traditions remembered from the heathen period. The test of a consistent picture agreeing not in small details and forms of narrative but in the fundamental outline, which remains recognisable and convincing, seems the most satis-factory guide to demand here. As regards the Fornaldar Sogur, the ‘sagas of old time’, the date of these in their present form is late, and it is impossible to base any conclusions on their evidence alone. But they are of great value for purposes of comparison, and it will be found that passages from them sometimes serve to illumine evidence gained from more reliable sources, suggesting that a good deal of the material they contain is composed from genuine traditions, albeit imperfectly remembered, from heathen times. (Hilda Roderick Ellis)

Download Hilda Roderick Ellis's eBook: Road To Hel A Study Of The Conception Of The Dead

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Hilda Roderick Ellis - Road To Hel A Study Of The Conception Of The Dead

Sunday, September 19, 2010

English Old Norse Dictionary

English Old Norse Dictionary Cover

Book: English Old Norse Dictionary by Ross Arthur

You could, of course, print it and then consult it just as you would consult any other dictionary It might be more useful to you, however, to keep it as an electronic reference tool For one thing, you'll find that it serves also as an Old Norse to English dictionary.

If you are now viewing this document within your Browser, I’d advise you to save it and examine it later. If it’s now saved on your computer, try using Acrobat’s Find feature, with the “Match Case” option turned off. I’ve created a special font to make it simpler to search for Old Norse

- To search for a vowel with an accent, just type that vowel and then a slash /
- To search for a hooked o (o,) just type o and then a comma
- To search for ae type a and then e.
- To search for oe type o and then e.
- To search for T type th.
- To search for D type dh.

Download Ross Arthur's eBook: English Old Norse Dictionary

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Wednesday, August 18, 2010

Paganism And Magical Traditions

Paganism And Magical Traditions Cover One of the most fascinating discoveries of my life has been that most of what we are accustomed to call spirituality would have been meaningless to our ancestors. By spirituality I mean the entire range, orthodox religion, New Age alternatives, and revival paganism and magical arts. This conclusion did not come easily, nor was it a sudden revelation: it crept up on me over the years, as a result of research, study, and inner experience. Many of my suspicions have been confirmed through long talks with elders from tribal cultures around the world, with whom it was possible to compare contemporary ethnic practices and shamanism to the modern artificial substitutes so widely sold . In Ireland, it seems clear that the traditional wisdom of the elders, handed down by word of mouth, through songs and stories, is often radically different to “Celtic revival” modern spirituality.

Most recently I have been impressed (though not always convinced) by the writing of Ronald Hutton, a British academic who has explored many aspects of both historical and revival paganism. Hutton challenges some of the basic modern assumptions about ancient paganism and old religions in a thought provoking manner. Thus he also challenges many of the foundations of revival paganism (His books include: The pagan Religions of the Ancient British Isles : Their Nature and Legacy and The Triumph of the Moon : A History of Modern Pagan Witchcraft).

In some my own books over the last 20 years or so, I have explored the practical, transformative, magical effect of working with the UnderWorld, the older spiritual traditions of the sacred Earth, and how to make such traditions vivid and contemporary for us today (These include:The UnderWorld Initiation; Earth Light; Power Within the Land; The Living World of Faery). In many ways I consider historic accuracy to be essential, but it need not be the ultimate goal. Historical accuracy in restoring old spiritual traditions is less important than effective inner transformation: if it works, well and good; if it don’t work, don’t do it.

Remember that some of the material in older traditions is totally unworkable and inappropriate; we do not have mate with a mare (as reported in the 12th century by Giraldus Cambrensis) to tap into an ancient Irish tradition of sacred kingship and fertility. We do not need to sacrifice a bull and wrap ourselves in the skin in order to gain prophetic visions (another ritual reported in the Middle Ages) . These old practices are historically significant, but invalid or inappropriate for 21st century people. I merely cite these dramatic examples as obvious methods that are historically reported, but not necessary today. Many other lesser examples could be discussed, but we do not have the space in a short article of this sort.

Yet we do need a consistent accuracy in our understanding of ancestral history, mythology, legends. If we do not do our homework, we can easily become lost in a morass of trivia and wishful thinking. What has happened, of course, is a series of fakes, fads, and fashions, from the 18th century to the present day. Today there is so much fantasy, falsehood, and fakery in publication on ancestral magic and pagan practices that we need rigorous application and research more than ever.

In my lifetime, and during my own career working and recording with Irish musicians, Celtic tradition and music has become ruthlessly emasculated and utterly pulverized by commercial interests. Finding accurate information is not an easy task, but the solid basics are defined in a small number of trustworthy reference sources…the rest is down to common sense and inspiration (in that order).

I should add one mildly uncomfortable fact about Celtic tradition (as the examples I quoted above come from Ireland and Scotland): there are many hundreds of ancient manuscripts, especially in Ireland, that have not been translated. There are far more medieval Irish and Latin Texts unassessed untranslated and unpublished than there are in print. A strong voice on this subject is the Irish writer John Minahane (The Christian Druids, on the filid or philosopher- poets of Ireland ), who, like Ronald Hutton, takes a fresh look at old material, and scoffs at many of the assumptions that we have inherited. Like most modern writers, I have used the trusted translations and sources, with a lot of individual research, retranslation, and so forth. But on dark storm tossed nights, I awaken suddenly and scream “ What if…what if…all those other Irish, Welsh, and European source materials, actually tell us something different ? What if they all say that the UnderWorld was the propaganda of only a few druids in a remote part of Kerry ?” I suppose we can always assert that these new translations are forgeries, or suppress them somehow. That’s the usual method.

Some of my own inspirations and insights have come through visions while living on a powerful sacred site: others came through my early teachers at a time when esoteric training was still hidden and secretive in Britain. And, as must always be the case, I have developed my understanding through long study, research, consideration and comparison. But ultimately, in spiritual arts or disciplines, it is only the doing that counts, not the reading about, writing about, or thinking about.

We do not have to accept everything in a religion or in an old tradition to respect its inner truths.

Like many other people in Western culture, I absorbed certain typical ideas in childhood: mostly of the kind that tell us that spirit is elevated, up there, in the light. Later I found that these ideas, so ingrained in our culture, were the decadent end of a propaganda program, started by political religions, by the various branches of Christianity, but also found in Judaism, and in Islam.

Now I am not going to waste your precious reading time bashing these religions, as many people have done this, often with justification. I think that there are truths and insights in all orthodox religions, Western or Eastern, and that these truths are good, valid, and trustworthy. But… and this is the big one, we do not have to accept everything in a religion in order to respect its deep inner truths. Indeed the deep truths are often in conflict with the politicized dogma, for the deep truths are eternal, unbound by time and history, and have no connection to human power plays or politics.

Books You Might Enjoy:

Konstantinos - Summoning Spirits The Art Of Magical Evocation
Malcolm Mcgrath - Practical Magickal Evocation
Jeffrey Spier - Medieval Byzantine Magical Amulets And Their Tradition
Marcus Bottomley - Nine Proven Magical Rites
Marcus Cordey - Magical Theory And Tradition

Saturday, August 14, 2010

The Lessons Of Asgard

The Lessons Of Asgard Cover

Book: The Lessons Of Asgard by Asatru Free Assembly

This collection of essays appeared over a span of almost two years in "The Runestone". Dealing as it does with the lessons to be learned from the Norse gods, it is a companion volume to The Values of Asatru. Together these booklets provide a good Introduction to those who want to know how to lead Their Lives according to the Principles of our ancient faith.

In out! little homilies we have tried to examine the gods as they affect our conduct in the real world. We have avoided the deeper symbolic implications of our deities, preferring to deal with them as models showing us how to live. It is perhaps too easy to say that Odin
exhorts us to learning and Thor urges us to strength, so we have tried to see ane step beyond that level, studying in greater detail the implications of the gods' values and specifically how we can apply them to our lives.

Odin, Thor, Freya and all the others are examples for us to emulate as we deal with our own personal circumstances. As we have said, they are models. Appreciating them on this level is important to those who follow Asatru, but it is only part of their significance. Beyond the role model is a numinous, logic-defying reality, something apprehended only by means of symbols, something that speaks to us on deeper levels where words are inadequate and linear reasoning breaKS down. Studying the gods, immersing ourselves in their lore, can gradually put us in touch with those realms of spirit and we can all add richness and power to our religious lives by tapping this ancient, non-verbal wisdom.

But - one step at a time. Let each of us try to live the lessons of the gods in our lives. In doing this we can eventually tune in to the deeper realities - and in the process, transform ourselves and the society in which we live.(Stephen A. McNallen, Breckenridge, Texas)

Download Asatru Free Assembly's eBook: The Lessons Of Asgard

Downloadable books (free):

Max Heindel - The Message Of The Stars
Wh Auden - The Lay Of Sigrdrifa
Annie Keary - The Heroes Of Asgard
Asatru Free Assembly - The Lessons Of Asgard

Thursday, August 5, 2010

The Children Of Odin The Book Of Northern Myths

The Children Of Odin The Book Of Northern Myths Cover

Book: The Children Of Odin The Book Of Northern Myths by Padraic Colum

Master storyteller Padraic Colum's rich, musical voice captures all the magic and majesty of the Norse sagas in his retellings of the adventures of the Gods and Goddesses who lived in the Northern paradise of Asgard before the dawn of history.

Here are the matchless tales of All-Father Odin, who crosses the Rainbow Bridge to walk among men in Midgard and sacrifices his right eye to drink from the Well of Wisdom; of Thor, whose mighty hammer defends Asgard; of Loki, whose mischievous cunning leads him to treachery against the gods; of giants, dragons, dwarfs and Valkyries; and of the terrible last battle that destroyed their world.

These ancient stories from Northern Europe, which make up one of the great myth cycles of Western civilization, spring to life in The Children of Odin. This classic volume, first published in 1920 and reissued in 1962, is now available for the first time in paperback, illustrated with the original line drawings by Willy Pogany, to inspire a new generation of readers.

The late Padraic Colum was a poet, playwright, founder of the Irish Review and a leader of the Irish Renaissance, but he is perhaps best known today for his outstanding books for children. He was awarded the Regina Medal in 1961 for his "distinguished contribution to children's literature," honoring works like The Children's Homer, The Golden Fleece (a Newbery Honor Book), The Arabian Nights, The King of Ireland's Son and Roofs of Gold.

Padraic Colum (1881-1972) was a poet, a playwright, and a leader of the Irish Renaissance, but he is best known for his works for children, including The Children of Odin and The Golden Fleece (a newbery honor book).

Download Padraic Colum's eBook: The Children Of Odin The Book Of Northern Myths

Free eBooks (Can Be Downloaded):

Michal Jerabek - The Book Of Enoch Vol Ii The Book Of Parables
Michal Jerabek - The Book Of Enoch Vol Iv The Book Of Dreams
Aleister Crowley - The Enochian Tablets And The Book Of The Law
Padraic Colum - The Children Of Odin The Book Of Northern Myths

Wednesday, August 4, 2010

Siegfried The Hero Of The North And Beowulf The Hero Of The Anglo Saxons

Siegfried The Hero Of The North And Beowulf The Hero Of The Anglo Saxons Cover

Book: Siegfried The Hero Of The North And Beowulf The Hero Of The Anglo Saxons by Zenaide Alexeievna Ragozin

The hero of the Nibelungenlied. Siegfried was the son of Siegmund (Sigmund), the king of the Netherlands, and Sieglind (Sisibe or Hjordis). His counterpart was the hero Sigurd, who appeared in many of the Icelandic and Scandinavian sagas, such as the Volsunga Saga. Siegfried was knighted at the age of eighteen. Siegfried hearing of Kriemhild's great beauty, the hero decided to woo Kriemhild. Siegfried also hoped to win fame and glory through his own prowess in warfare. Siegfried became lord of Nibelungland, after killing the two brothers, Schilbung and Nibelung. Siegfried gained the Nibelungs' treasure and the cloak of darkness (Tarnkappe) from Alberich, the dwarf and Nibelungs' treasurer. Siegfried also possessed the sword Balemung and the horse. Siegfried skin became invulnerable when he killed a dragon and was bathed in the dragon's blood. The only vulnerable spot on his body was on his back where a large leave covered fell on his back between his shoulders. Only Kriemhild knew of her husband's weakness. Hagen would later tricked Kriemhild to reveal this weakness to him. When Siegfried arrived in Worms, a city in Burgundy, Gunther won his friendship. Though he sought to woo Gunther's sister, he did not see her until a year later. They were only formerly introduced, after helping the king to win the war against the Saxons and the Danes, when Siegfried captured the two kings. Siegfried fell in love with Kriemhild, and her brothers approved of the marriage, if the hero would help Gunther win Brunhild in marriage. Siegfried does so by defeating the warrior-queen, using his magic cloak, Tarnkappe. Brunhild thought she was contesting Gunther. There was a double wedding. Whereas Siegfried's marriage was happy, Gunther was humiliating. When Gunther had tried to make love to his new wife, Brunhild fought him, bound the king, and hanged the king up on the wall. Gunther was no match for Brunhild's superhuman strength. Again, Siegfried had to secretly overcome Brunhild for Gunther. When Brunhild finally submitted to husband, Siegfried stole her ring and girdle, gave them to Kriemhild. The ring and girdle became symbols of their deception over Brunhild.

A man of great strength, Beowulf, pits himself in struggle against a monster, Grendel. Hero defeats Monster, and is rewarded with Treasures and his praises are sung. Then the plot twists, even in the ancient manuscripts of yore, Grendel's mother seeks revenge. She is a demon from the line of Cain, cursing humanity and hating all that brings happiness to mankind. Beowulf must also slay her to free the land from it's curse and to allow the people in it to rejoice and enjoy life in the mead hall. Later ,in old age, Beowulf must don his armor once again. he must wear the fine web mail to face yet another monster. A fierce dragon attacks his kingdom,and Beowulf faces his last battle. He Kills the dragon, but is himself fatally wounded. His kingdom falls into disarray , without it's strong hero to protect the people they are soon overrun by neighboring tribes. In the latest incarnation, however, it is mans own weakness,and lust that is the down fall of all great heroes. The monster of pride, arrogance, greed, and lust is the most terrifying opponent, and it is our own internal weakness that brings us all down, preventing us all from being heroes.

Download Zenaide Alexeievna Ragozin's eBook: Siegfried The Hero Of The North And Beowulf The Hero Of The Anglo Saxons

Free eBooks (Can Be Downloaded):

Stephen Flowers - The Secret Of The Gothick God Of Darkness
Jean Despagnet - The Hermetic Arcanum The Secret Work Of The Hermetic Philosophy
Bil Linzie - Investigating The Afterlife Concepts Of The Norse Heathen
June Johns - King Of The Witches The World Of Alex Sanders
Zenaide Alexeievna Ragozin - Siegfried The Hero Of The North And Beowulf The Hero Of The Anglo Saxons

Saturday, July 31, 2010

The Shadow Self

The Shadow Self Cover The shadow self is that part of us we keep hidden from the rest of the world and frequently ourselves. It encompasses our deepest fears, desires, loves and hates. If we keep this part hidden from ourselves, it may eventually control us on a conscious and/or subconscious level.

Dark Pagans aren't the first spiritual explorers in this territory. Occultists such as Kenneth Grant, Aleister Crowley, and Austin Osman Spare also delved into the darker aspects of the mind and universe. Spare is known as developing techniques used in chaos magic. Carl Jung, the famous psychologist, brought forth many of the ideas we think of with shadow work.

A good resource to learn more about some of the theories behind this path and why one would choose it is John J. Coughlin's book, Out of the Shadows: An Exploration of Dark Paganism and Magick. It's not a tutorial or spell book but a frank, adult discussion on the many aspects of dark Paganism including alternate lifestyles and subcultures. He presents the beauty of this path as well as the pitfalls for those who are not suited to it.

Books You Might Enjoy:

Frater Achad - Liber 31
Leo Ruickbie - Halloween Spells
Sasha Fierce - The Book Of Shadows

The Deer Man Ritual

The Deer Man Ritual Cover In Italy there still remains a very old tradition related to the stag figure. On the last Sunday of carnival, at Castelnuovo, an annual festival takes place known as the Red Deer Man ritual or festival. It features four primary figures: the Deer man, the Deer Woman, the Fairy Wizard (the Martino), and the Hunter. The Deer Man and Woman dress in hides, with the man wearing a set of antlers and both figures wearing a necklace of cowbells. The Martino is dressed in white with a cape and wears a conical hat. He carries a wand and represents the fairy of the mountains.

The festival begins with the sound of cowbells coming out the forest and down the hill. Soon the Janare (witches) appear, after which they run about the village dashing in and out between the houses. This is followed by the appearance of the Deer man and Deer Woman. The Deer Man runs through the crowd like a wild beast chasing the village people. Next the Martino appears and tries to calm the Deer man using his wand. Eventually the Deer Man grows calm and then the Martino places a rope around the Deer man and Deer Woman. Joined together in this way the Deer Woman becomes affectionate with the Deer Man. However the wild nature of the Deer Man soon returns and he tries to break his bindings. Suddenly the Hunter appears and slays the Deer man and Deer Woman. The people then grieve for the slain Deer Woman. Slowly the Hunter approaches two bodies then blows into their ears, which brings them back to life. The Deer Man and Deer Woman arise and go back up the hillside into the forest. The witches return to the village plaza and assemble around fire where they dance accompanied by musicians playing the flute and the bagpipes.

There are several noteworthy features of this festival or ritual event. The first is the appearance of the witches who come from the mountain woods. There appearance in the village announces the consort pair of the Deer man and Deer Woman. This associates them with the horned figure and his consort, a theme long associated with the witches' sect.

The second thing of interest is the fairy being known as the Martino, a theme also intimately connected with old witchlore. The Sicilian fairy cult is perhaps the most well-known of such themes.

The third area of interest is the Hunter who returns life to the slain deer. This is a classic tale of "the hunter and the hunted" and one that appears in the writings of folklorist Joseph Campbell. Essential to this mythos is the idea that the slain animal must be restored to life in exchange for providing food and fur/hide. Traditionally a piece of the deer's antler was taken and worn by the hunter, who later danced around a fire in honor or the slain beast. His dance animated the deer and restored it to life somewhere back out in the forest.

Of final interest is the absence of Christian elements in the Deer man ritual. This reveals its great antiquity and the survival of a pagan celebration into modern times.

Books You Might Enjoy:

Thomas Moore - Candle Magick For Love
Charles Baize - Pagan Scriptures
Aleister Crowley - Ritual Viii
Zoroaster - The Chaldean Oracles
Vovim Baghie - The Grand Satanic Ritual

Pentagram Meaning For Pagans

Pentagram Meaning For Pagans Cover The pentagram (the five-pointed star, usually but not always depicted enclosed by a circle) is nearly universally used by wiccans and other witches, and comes closest to being the most commonly used symbol within paganism as a whole. Rooted in ancient Greek and Roman paganism, with ties to goddesses such as Hygeia and Venus, the pentagram has been associated with occultism, ceremonial magic, and even Christianity (the five points signifying the five wounds of Christ). By the 20th century and the rise of religious Wicca, the pentagram had become a more general symbol representing the cosmos as a whole. One common way of interpreting the pentagram assigns an element to each point of the star: the highest point represents spirit, with other points representing fire, air, water, and earth. Surrounded by a circle that signifies eternity or the vast emptiness of the cosmos, the pentagram functions as a symbol of the entirety of nature.

Because of its Greco-Roman origins and its usage today embedded in symbolism drawn from classical Occultism - the four elements underneath spirit - not all Pagans regard the pentacle as important or even useful. Celtic Reconstructionists and Odinists, for example, do not generally incorporate symbolism from cultures outside the Celtic or Norse world, and therefore regard the pentacle as irrelevant to their spirituality as the Christian cross.

Within such ethnically specific expressions of Paganism, symbols with strong cultural associations generally take precedence. Thus, pagan Druids often use the Awen, a symbol depicting three straight lines that diverge as they move downward, with a dot or point above each line. This symbol was created during the Druid renaissance of the 18th century and has been interpreted in various ways. Practitioners of Norse religion often regard the Mjollnir, or hammer of Thor, as emblematic of their distinctive cultural tradition. Similar symbols include the Caduceus for adherents of Greek Paganism, the Ankh for Egyptian traditions, and the Medicine Wheel for some Native American traditions. The labrys, or double-edged axe, has roots in Greek and Cretan culture, but because of its association with Minoan priestesses it has become a symbol of Dianic wicca and witchcraft (traditions with a strong feminist ethos).

Books You Might Enjoy:

Shanddaramon - Self Initiation For The Solitary Witch
Tuesday Lobsang Rampa - Tibetan Sage
Aleister Crowley - Songs For Italy
Pat Holliday - Miracle Deliverance New World Pagan Idolatry
Stephen William Hawking - Space And Time Warps