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Showing posts with label magic books download. Show all posts
Showing posts with label magic books download. Show all posts

Sunday, October 3, 2010

Pan Celtism And What It Means For Us

Pan Celtism And What It Means For Us Cover In the past decade or two, there has been an amazing spread of Celtic identity throughout the world. Celtic festivals are common all over Western Europe, North America, Australia, etc. We now have the Celtic League, the International Celtic Congress, and a major international Celtic festival (which was held in Valle d'Aosta in 2009). The question is: where do we fit into this Pan-Celtic milieu?

We would have to fit in somewhere, as much of the spirituality and even the Celtic knotwork is tied to Padania. "Cisalpine Gaul," of course, was the name given to Padania by the Romans, which means in Latin: "Gaul south of the Alps." The Trophy of Augustus was the Roman trophy to the conquest of the Celto-Ligurian tribes.

One interesting commonality of the Celtic peoples throughout history is their struggle against encroaching Teutonic and Roman armies. In the movie 'Braveheart', Celtic Scots are depicted defending their homeland against basically Anglo-Saxon/Norman English. The Roman Julius Caesar conquered Celtic Gaul. These are just two of the more well-known examples. Many compare the Roman invasion of Cisalpine Gaul to the invasion of the English against the Scots.

Unlike many other European cultures, Padania doesn't have the definitive "one ancient culture" that it can draw most of it's inspiration from. Lega Nord chose the Celts. The Etruscans were too tied into Roman (Italian) identity, and the Langobards were invaders from somewhere else. At least some of this was based on political reasoning. We do not have the answer to this equation yet.

Actually, Cisalpine Gaul was demographically "Celto-Ligurian," as we have covered before. That is, a mix of both proto-Alpine and Celtic tribes. The Trophy of Augustus lists both Alpine and Celtic tribes.
Another factor is the spiritual component to all of this. The worship of the horned god Cernunnos has been co-opted by the Wiccan faith, along with other traditions from many cultures, into a universalist religion. Some social engineers of Wicca have long touted their religion as a leftist movement to contrast with the perceived right wing Christian movement. That is something we have to look harder at in the future. This worship of Cernunnos is heavily linked to the Cisalpine Gauls, but also widespread in ancient Gaul, and even Scandinavia.

The Pan-Celtic identity is such a good fit, as we are not really southern or northern European, and not Eastern European. Quite frankly, the region of Padania is/was historically located at the crossroads of Roman/Mediterranean (south), Germanic/Norse (north), Celtic/Gaulic (west) and Slavic (east) worlds. In viewing the greater scope of things, in both ancient and modern concepts, we're more Western European. Like the French, we're basically Romanized Gauls.

Free eBooks (Can Be Downloaded):

Troth Aor - Odinism What Is It The Odinic Rite
Gordon Ireland - Faq On Wicca And Witchcraft And More
Stephen William Hawking - Space And Time Warps

Thursday, September 30, 2010

New Age Music

New Age Music Cover For everyone out there simply looking to relax or those of you who wish to enter a deep state of meditation...
New Age Music is a must. I myself use it for meditation, Relaxation and for my ritual magick work.
There are many New Age Music Artists out there but I have my favorites.
Along with this I also enjoy Classical Music from long ago.

Here are my favorite New Age Musical Artists.

Frank Danna

This is my favorite Cd that I use to meditate with and to use in my Ritual work.
Truly an Awesome Cd that will get you into the mood of your rituals or a serious Deep state of conciseness.
Listen to the sample track on the Cd page.... you will love it. This is my #1 pick of all.


Deva Primal

She has many Cds to choose from.
Her music is excellent for meditation or just relaxation.
Her music is based on Krishna sounds and methodical rhythms, but Premal's voice is one that resonates into the soul.
It will seduce your Body mind and soul.
The music she produces, makes me feel good and energetic afterwards.
She is my #2 pick.
Listen to some of the sample tracks!


Steven Halpern

He has so many Cds to choose from.
He has been in my collection for years.
I remember many times I would drive around and listen to his music and end up 50 miles away.
This music will send you into space.

There are so many other Artist out there. But you will have to find the ones you like the best.

Free eBooks (Can Be Downloaded):

Aristotle - On Dreams
Nick Farrell - Notes On Geomancy
Anonymous - Pagan Stones And Gems
Janus Lacinius Therapus - The New Pearl Of Great Price.pdf
Phillip Williams - Night Magic

Wednesday, September 29, 2010

Ostara Ritual Celebrating

Ostara Ritual Celebrating Cover Ostara: ritual celebrating the coming of spring, and thus also the beginning of planting. Dates this was celebrated on varied, but tended to fall around the vernal equinox. Eggs are painted with bright colors, and hidden, and hunts are conducted for them. (Eggs are a symbol of new life, and fertility. Rabbits are a symbol of this day too, for the same reason.) Other games are sometimes played with the eggs too, such as racing with them balanced on a spoon, or rolling them downhill. Eggs are ritually thrown high into the air too, and as high as the eggs fly, that is how high the crops shall grow. A procession, led by an ass, begins festivities which include a game called "Osterball". Dancing is an important part of the celebrations. Ostara bonfires are also lit. No flesh is eaten by mariners this day, to ensure safety from storms.

Free eBooks (Can Be Downloaded):

Order Of The Golden Dawn - The Invoking Pentagram Ritual Of Water
Pangaia - Handcrafted Ritual Tools
Order Of The Golden Dawn - The Invoking Pentagram Ritual Of Earth
Benjamin Rowe - A Ritual Of The Heptagram
Andrew Lang - Myth Ritual And Religion

Tuesday, September 28, 2010

Out Of The Shadows An Exploration Of Dark Paganism And Magick

Out Of The Shadows An Exploration Of Dark Paganism And Magick Cover

Book: Out Of The Shadows An Exploration Of Dark Paganism And Magick by John Coughlin

So often darkness is associated with evil. Since the term evil has no place in a nature-based religion, we Pagans are forced to look beyond such stereotypes.

But what then is "darkness"? Why are so many of us drawn to themes associated with darkness such as death, mystery, wisdom, magic, and the night? These themes and symbols are empowering to many of us because they tap into the deepest reaches of our unconscious.

The goal of this book, which is a culmination of over 16 years of study and practice, is to not only share with you the author's views on Dark paganism and spirituality, but to encourage you - if not challenge you - to personalize your own belief system.

While the first part explores the aspects and spirituality of darkness, the second part of this book discusses the nature and practice of magic by exploring the underlying principles at work.


In Out of The Shadows, author John J. Coughlin trys to rebuild the balance 'Light Paganism' has created. He gives an easy and understandable description of what the Darkness and 'Dark Paganism' actually are. Though the focus of this book is 'Dark Paganism', the author in no way tries to deny or degrade Light Paganism. In fact, Coughlin actually describes it's benefits and necessities in modern paganism.

In his explanation of the Darkness, Coughlin gives information on "dark siders" including the Gothic and Vampiric Sub-Culture. He gives a clear and understandable explanation of "The Shadow" in sychological terms, as well as symbols, images, and archetypes associated with darkness. I found the section on dark deities to be especially interesting, where Coughlin offers information on specific deities from various pantheons including Celtic,Egyptian, Greek, and Hindu.

Part Two is an explanation of the nature and structure of magick. This section explains how and why magick works as well as it's limitations and psychological factors. Coughlin takes you through each step of the spellcasting process by describing what and how to conduct ritual. This section also contains information on psychic abilities, chaos magick, and sex magick.

Out of The Shadows is really two books in one. It is and exploration of Dark Paganism, but it is also a guide to magick. Because so many books are focused on Light Paganism, this text is truly ground breaking. This book does an excellent job of providing the seeker with the proper tools to explore yourself. It's goal is to suggest, if not test, you to personalize your belief system. You will learn the truth about the Darkness and Dark Paganism. It was an excellent read and I'd highly recommend it to all Pagans.

Buy John Coughlin's book: Out Of The Shadows An Exploration Of Dark Paganism And Magick

Free eBooks (Can Be Downloaded):

Richard Roy - 13 Questions On Paganism And Wicca
Aleister Crowley - The Initiated Interpretation Of Ceremonial Magic
John Coughlin - Out Of The Shadows An Exploration Of Dark Paganism And Magick

Monday, September 27, 2010

The Younger Edda Also Called Snorre Edda Or The Prose Edda

The Younger Edda Also Called Snorre Edda Or The Prose Edda Cover

Book: The Younger Edda Also Called Snorre Edda Or The Prose Edda by Rasmus Anderson

SNORRE'S EDDA, OR THE PROSE EDDA. AN ENGLISH VERSION OF THE FOREWARD; THE FOOLING OF GYLFE, THE AFTERWORD; BRAGE'S TALK, THE AFTERWORD TO BRAGE'S TALK, AND THE IMPORTANT PASSAGES IN THE POETICAL DICTION (SKALDSKAPARMAL) WITH AN INTRODUCTION, NOTES, VOCABULARY, AND INDEX.

All the poems quoted in the Younger Edda have in this edition been traced back to their sources in the Elder Edda and elsewhere. Where the notes seem to the reader insufficient, we must refer him to our Norse Mythology, where he will, we trust, find much of the additional information he may desire. Well aware that our work has many imperfections, and begging our readers to deal generously with our shortcomings, we send the book out into the world with the hope that it may aid some young son or daughter of Odin to find his way to the fountains of Urd and Mimir and to Idun's rejuvenating apples. The son must not squander, but husband wisely, what his father has accumulated. The race must cherish and hold fast and add to the thought that the past has bequeathed to it. Thus does it grow greater and richer with each new generation. The past is the mirror that reflects the future. (R. B. ANDERSON)

Download Rasmus Anderson's eBook: The Younger Edda Also Called Snorre Edda Or The Prose Edda

Free eBooks (Can Be Downloaded):

Sharynne Nicmacha - The Star Of Life A Historical And Spiritual History Of The Pentagram
Moses Maimonides - The Guide For The Perplexed
Herbert William Magoun - The Asuri Kalpa A Witchcraft Practice Of The Atharva Veda
Rasmus Anderson - The Younger Edda Also Called Snorre Edda Or The Prose Edda

Neo Druids In Ireland

Neo Druids In Ireland Cover In Ireland, neo-druids staged public gatherings for the Midsummer Solstice on the Hill of Tara, intermittently from 1996 to 2005. Currently, a number of Irish neo-druids are working with the various Save Tara Heritage campaigns to preserve the Tara-Skryne Valley from the potential environmental impact if the M3 motorway that is planned for the area goes through. The proposed construction would place a large, 38 acre, eight-lane motorway interchange within a mile (1.6 km) of the Hill, making it clearly visible from one of Ireland’s most sacred and historic sites, and irreparably damaging important archaeological evidence of Celtic and pre-Celtic history.

A number of small orders and groves exist in Ireland, with varying practices and beliefs; most of these have come into existence in the 1990s or later. Druidism in Ireland is still relatively young, is still in the process of establishing links between groves and orders, and so a stable neo-druidic community does not yet exist.

Free eBooks (Can Be Downloaded):

Nathan Johnston - The Devil And Demonism In Early Modern England
Arthur Edward Waite - The Templar Orders In Freemasonry
Julia Phillips - History Of Wicca In England
Mindy Macleod - Bandrunir In Icelandic Sagas

Sunday, September 26, 2010

Poetic Edda Edda Saeundar Hinns Froda

Poetic Edda Edda Saeundar Hinns Froda Cover

Book: Poetic Edda Edda Saeundar Hinns Froda by Benjamin Thorpe

Saemund, son of Sigfus, the reputed collector of the poems bearing his name, which is sometimes also called the Elder, and the Poetic, Edda, was of a highly distinguished family, being descended in a direct line from King Harald Hildetonn. He was born at Oddi, his paternal dwelling in the south of Iceland, between the years 1054 and 1057, or about 50 years after the establishment by law of the Christian religion in that island; hence it is easy to imagine that many heathens, or baptized favourers of the old mythic songs of heathenism, may have lived in his days and imparted to him the lays of the times of old, which his unfettered mind induced him to hand down to posterity.

The youth of Saemund was passed in travel and study, in Germany and France, and, according to some accounts, in Italy. His cousin John ogmundson, who later became first bishop of Holum, and after his death was received among the number of saints, when on his way to Rome, fell in with his youthful kinsman, and took him back with him to Iceland, in the year 1076. Saemund afterwards became a priest at Oddi, where he instructed many young men in useful learning; but the effects of which were not improbably such as to the common people might appear as witchcraft or magic: and, indeed, Saemund's predilection for the sagas and songs of the old heathen times (even for the magical ones) was so well known, that among his countrymen there were some who regarded him as a great sorcerer, though chiefly in what is called white or innocuous and defensive sorcery, a repute which still clings to his memory among the common people of Iceland, and will long adhere to it through the numerous and popular stories regarding him (some of them highly entertaining) that are orally transmitted from generation to generation.

Download Benjamin Thorpe's eBook: Poetic Edda Edda Saeundar Hinns Froda

Free eBooks (Can Be Downloaded):

Snorri Sturlson - The Prose Edda Ver 2
Loptsson - Icelandic Poetry Or The Edda Of Saemund
Benjamin Thorpe - Poetic Edda Edda Saeundar Hinns Froda

The New Flesh Palladium

The New Flesh Palladium Cover

Book: The New Flesh Palladium by Robert North

Enter the realm of the New Flesh Palladium freely and of your own will. The author of this book, Robert North, is perhaps best known to the general public as the erudite translator and editor of the once obscure occult classic Sexual Magic by Paschal Beverly Randolph (1990). But there is a deeper side to the story. The author ... takes us on a dramatic adventure in the history of sexual magic.

The author of this work, Robert North,is perhaps best known to the general public as the erudite translator and editor of the once obscure occult classic SEXUAL MAGIC by P.B. Randolph. Now, in the form of a historical treatment of sexual magic, North introduces the world to the ideas of the New Flesh Palladium. the author takes us on a journey from the Heaven and Hell of Emanuel Swedenborg, through the realms of Mesmer and the Marquis de Sade, and into the worlds of aleister crowley and Wilhelm Reich. In the course of this journey we discover the philosophy of the New Flesh---a dramatic adventure in the history of sexual magic.

Buy Robert North's book: The New Flesh Palladium

Free eBooks (Can Be Downloaded):

John Sebastian Marlowe Ward - The Fellow Crafts Handbook
Ralph Blum - The New Book Of Runes
Frederick Hadland Davis - The Persian Mystics Jalaluddin Rumi
Sri Swami Sivananda - The Science Of Pranayama
Lady Galadriel - The New Book Of The Law

Friday, September 24, 2010

Welcome To The Troth Honoring The Northern Tradition

Welcome To The Troth Honoring The Northern Tradition Cover

Book: Welcome To The Troth Honoring The Northern Tradition by The Troth

The Troth is dedicated to exploring, practicing and promoting the pre-Christian religion of the Germanic peoples, who include the English, Norwegians, Icelanders, Swedes and Germans, among others. This religion is known by various names including Asatru, Heathenry, the Elder Troth, and others. There are many variations in beliefs and practices within this faith, and many ways of describing and classifying these differences. One thing we all share a defining personal loyalty to, or "Troth" with, the Gods and goddesses of the Northlands, such as Odin, Thor, Frigga, Freyja and many others. We also have a deep respect for our Germanic religious, cultural and historical heritage; and a strong determination to practice the moral principles followed by our noble predecessors, including Courage, Truth, Honor, Loyalty, Discipline, Hospitality, Industriousness, Self-reliance, and Steadfastness.

In order to help modern Heathens better to understand and practice the Elder Troth, we publish a quarterly journal, Idunna, and carry on other publishing projects. The best-known such project to date is Our Troth, a collective work of over 700 pages incorporating the research, thought and experience of many Troth members and friends, currently available online. Back issues of Idunna are available, and we also publish pamphlets covering several aspects of practicing Heathenry in contemporary society, including a Heathen’s Almanac, due out in Fall 2003.

In addition to publishing activities, the Troth conducts a training program for prospective Heathen clergy, incorporating study, training and experience in lore knowledge, theology, ceremonial practice, group organization, and counseling, and leading to certification after an extensive evaluation and final examination.

Download The Troth's eBook: Welcome To The Troth Honoring The Northern Tradition

Free eBooks (Can Be Downloaded):

Robert Mathiesen - Magic In Slavia Orthodoxa The Written Tradition
Donald Tyson - The Magican Workbook Practicing The Rituals Of The Western Tradition
Anonymous - Welcome To The Secrets Of The Root Witch
The Troth - Welcome To The Troth Honoring The Northern Tradition

Thursday, September 23, 2010

The Lay Of Sigrdrifa

The Lay Of Sigrdrifa Cover

Book: The Lay Of Sigrdrifa by Wh Auden

Sigrdrifumal or Brynhildarljod is one of the heroic poems of the poetic Edda. It relates the meeting of the valkyrie Sigrdrifa with the hero Sigurdr and largely consists of Sigrdrifa's advice to him, which includes cryptic references to Norse mythology and magical runes. The metre is fornyrdislag.

The beginning of the poem is preserved in the Codex Regius where it follows Fafnismal. The end is in the lost part of the manuscript but it is preserved in later copies. The Volsunga saga describes the scene and contains some of the poem.

Download Wh Auden's eBook: The Lay Of Sigrdrifa

Free eBooks (Can Be Downloaded):

Austin Osman Spare - The Logomachy Of Zos
Asatru Free Assembly - The Lessons Of Asgard
Aleister Crowley - The Litany Of Satan
Aleister Crowley - The Soul Of Osiris
Wh Auden - The Lay Of Sigrdrifa

The Arctic Home In The Vedas

The Arctic Home In The Vedas Cover

Book: The Arctic Home In The Vedas by Lokamanya Bal Gangadhar Tilak

On the occasion of the birth centenary of Lok. B. G. TILAK, we have the proud privilege to offer to the discriminating readers this 2nd reprint of his famous work “The Arctic Home In The Vedas,” published by the Author in 1903 and reprinted in 1925 (J. S. TILAK)

The present volume is a sequel to my Orion or Researches into the Antiquity of the Vedas, published in 1893. The estimate of Vedic antiquity then generally current amongst Vedic scholars was based on the assignment of arbitrary period of time to the different strata into which the Vedic literature is divided; and it was believed that the oldest of these strata could not, at the best, be older than 2400 B.C. In my Orion, however, I tried to show that all such estimates, besides being too modest, were vague and uncertain, and that the astronomical statements found in the Vedic literature supplied us with far more reliable data for correctly ascertaining the ages of the different periods of Vedic literature. These astronomical statements, it was further shown, unmistakably pointed out that the Vernal equinox was in the constellation of M?iga or Orion (about 4500 B.C.) during the period of the Vedic hymns, and that it had receded to the constellation of the K?ittikas, or the Pleiades (about 2500 B.C.) in the days of the Brahmanas. Naturally enough these results were, at first, received by scholars in a skeptical spirit. But my position was strengthened when it was found that Dr. Jacobi, of Bonn, had independently arrived at the same conclusion, and, soon after, scholars like Prof. Bloomfield, M. Barth, the late Dr. Bulher and others, more or less freely, acknowledged the force of my arguments.

Dr. Thibaut, the late Dr. Whitney and a few others were, however, of opinion that the evidence adduced by me was not conclusive. But the subsequent discovery, by my friend the late Mr. S. B. Dixit, of a passage in the Shatapatha Brahmana, plainly stating that the Kaittikas never swerved, in those days, from the due east i.e., the Vernal equinox, has served to dispel all lingering doubts regarding the age of the Brahmanas; while another Indian astronomer, Mr. V. B. Ketkar, in a recent number of the Journal of the Bombay Branch of the Royal Asiatic Society, has mathematically worked out the statement in the Taittiriya Brahmana (III, 1, 1, 5), that Boihaspati, or the planet Jupiter, was first discovered when confronting or nearly occulting the star Tishya, and shown that the observation was possible only at about 4650 B.C., thereby remarkably confirming my estimate of the oldest period of Vedic literature. After this, the high antiquity of the oldest Vedic period may, I think, be now taken as fairly established. (Lokamanya Bal Gangadhar Tilak)

Download Lokamanya Bal Gangadhar Tilak's eBook: The Arctic Home In The Vedas

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Friedrich Max Muller - The Sacred Books Of The East
Aleister Crowley - The Heart Of The Master
Lokamanya Bal Gangadhar Tilak - The Arctic Home In The Vedas

The Pagan Credo

The Pagan Credo Cover 1. Paganism is a religion (or field of related religions) in its own right, being traceable from prehistoric times through most ancient and modern cultures and making a continuing contribution to the spiritual evolution of our species.

2. It is not rigid or dogmatic in form, its exact expression depends on the individual Pagan, or willing cooperating group of Pagans. This credo is therefore itself not dogmatic but an attempt to describe the mainstream characteristics of Pagan philosophy.

3. Paganism aims to offer a way to recognise and attune with the manifold forces of nature, which already exist within and without us and which are vital to our survival, fulfilment and evolution. By celebrating the seasons and becoming one with other living creatures Pagans synchronise intimately with the planet, liberate their personalities and magnify their perceptions and talents in the interests of themselves, their groups and communities and humankind as a whole.

4. Paganism believes in the same Divine Creative Force as anyone else, because if there is one there can only be one. Like any other religion, Paganism personifies this Ultimate as a means to attuning oneself to it, because it cannot be apprehended directly, except perhaps be brief flashes of intuition.

5. Paganism's basic personification of this Ultimate is in its creative polarisation of male and female aspects, as the Father God and Mother Goddess. The God represents the fertilising, energising, analysing, intellectual, left-brain-function aspects. The Goddess represents the formative, nourishing, synthesising, intuitive, right-brain-function aspects.

6. As above so below; this basic Divine polarisation is the primal cause of all manifestation and it is reflected at all levels of being, including ourselves.

7. Pagans make use of many different God and-Goddess forms as tuning signals to different aspects of the essential God and Goddess. These forms vary according to cultural, geographical and personal backgrounds and are 'usually' (and naturally, since men and women aspire to emulate them) envisaged in perfected human form; but they are all valid. They are real in the sense that if one attunes oneself to them sincerely, they are vitalised and empowered by the Ultimate of which they represent aspects. They are not idols but are the numinous, archetypal symbols which are vital (or in everyday language, "God-given") components of the human Collective Unconscious.

8. Pagans do not worship the Devil; that would be totally incompatible with the principle of paragraphs 4 and 7 above. the Devil of monotheistic religion does not exist in Pagan philosophy. Pagans regard evil as an imbalance to be corrected, not as an independent force or entity.

9. Like all religions, Paganism believes in multi-level reality. These levels are generally defined in Pagan thinking as the spiritual, mental, astral, etheric and physical levels. Each level has its own laws but the laws of different levels do not conflict with each other; as for example the laws of mathematics, chemistry and biology are different but do not conflict with each other. Pagans believe that be understanding these laws and their interaction one can achieve results generally defined as magical.

10. Pagans regard all these levels as equally holy, and essential parts of the cosmic spectrum of manifestation. They totally reject the Dualistic concept which equates the spiritual with good and matter with evil.

11. Pagan philosophy and worship therefore tends to be strongly Nature-based. Mother Earth is not a temporary stopping-place, but our home, of which we are a vital living part, and for the health and protection of which we bear a constant responsibility.

12. The Pagan view of the Cosmos is essentially organic. The Ultimate is its creative life-force; but all manifestation is part of the total organism. Our own planet can be regarded as one limb or organ of it, and we ourselves (and all Earth's other creatures and components) as cells within that limb or organ. Our health depends on its health and vice versa.

13. Paganism therefore does not envisage a gulf between Creator and Created. The spectrum is continuous and interdependent. Each individual is of the same nature as the Source and is capable of being a channel for it.

14. On the basis of all the foregoing, most Pagans regard all sincere religions as different paths to the same truths. The particular Deity-personifications, symbology and meaningful mythology which suit one person as tuning-signals to the Ultimate may not suit another. Pagans are therefore essentially ecumenical, non-proselytising and tolerant.

15. This does not mean that Pagans cannot voice constructive criticism of the attitudes of some dogmatic systems. Pagans reject as dangerous and destructive, in particular, the belief that one's own religion is the only true one, and that all others are devilish and therefore to be condemned and persecuted.

16. Pagans lay more emphasis on continuing spiritual development than one instant revelation, though they accept that the latter can sometimes happen - usually as a breakthrough to consciousness of a longer unconscious accumulation.

17. Most Pagans believe in reincarnation in one form or another. This belief further strengthens Pagans' attitude to Earth as our continuing home for the foreseeable future, rather than as a temporary and restrictive stopping place. It is also a powerful moral force because it emphasises that all offences against other individuals, the community or the Earth and all failure to learn lessons must ultimately be put right by oneself, and cannot be evaded by bodily death.

18. Pagans' ethical attitude is often summed up in one sentence: "An it harm none, do what you will." this means achieving full self-development while accepting equally full responsibility towards one's fellow- humans, one's fellow-creatures and the Earth itself. Love for all of these is the foundation-stone of Paganism. In particular, Pagans feel a special responsibility towards the young; their vulnerability must not be abused and they must be helped to develop themselves according to their own natures, so that when they are mature they can choose their own paths - and their own religious forms - with maximum awareness and without pressurisation from their elders.

Free eBooks (Can Be Downloaded):

Starhwak - The Spiral Dance
Arlo Bates - The Pagans
Harold Macgrath - The Pagan Madonna

The Nature Of Folk Religion

The Nature Of Folk Religion Cover In the modern Western countries, religion is largely an individual matter. People meditate or pray, seek self-improvement, search for personal spiritual enlightenment, or find individual salvation. Religion is only a set of beliefs and practices, which can be chosen by the seeker as easily as we buy a new car - and changed for a new one even more easily.

This is a very new notion, one that has risen in direct proportion to our separation from nature and from our ancestors. To people in traditional cultures, this self-centered interpretation of religion is strange indeed.

Certainly all spiritual or religious paths have an individual component that is valid and worthy of pursuit. In America and the rest of the West, however, we often focus on the individual to the exclusion of the group aspect. This doesn't mean that we don't yearn after community; many neighborhood churches provide this for their members, and this role as a provider of community has become even more vital as our families disintegrate under the pressures of modern living.

What Westerners do not understand is that folk religions - native religions, indigenous religions, whatever you want to call them - are linked to a particular cultural and biological group...a people. Religion is not something apart from the life of the group; indeed, it is one more manifestation of the group's existence. Religion springs from the very nature of the people and is an expression of the totality of their experience from the beginning of time.

Folk religions are deeply ancestral. Those who have gone before, those forefathers and foremothers of times past, are still connected to the tribe or nation. The bonds of kinship transcend space and time. Indeed, many of us who follow Asatru believe that the ancestors are continually reborn into the family or clan. There is an interweaving of ancestry throughout lifetimes and across generations. We have been here, together in this world, before. Blood is not only thicker than water, it is stronger than death and distance!

From this perspective, it is unthinkable that religion should be seen as just an accessory, something to be shucked off like a coat or a hat. Rather, religion becomes a manifestation of our very essence, a part of us like our legs or our head. Asatru is not what we believe, it is what we are.

It is only natural that we seek out the spiritual path that our ancestors walked. On the most mundane level, we are more like those forebears than we are like anyone else. We carry their essence. One can try to rationalize this by pointing out that so many things about humans are influenced by heredity, and perhaps that is part of it, but ultimately the connection is spiritual. We are linked to those ancestors and to our descendants by special bonds that we do not share with others. When we find the ways of our own people, we discover things we cannot find anywhere else.
It is these two factors - the focus on the group nature of religion as a counterbalance to the individual aspect, and the importance of the ancestors, that set folk religions apart from modern, rootless, artificial constructs.

Asatru is not just a belief or a set of practices, it is an expression of who we are as men and women of European heritage.

Free eBooks (Can Be Downloaded):

Captain William Morgan - The Mysteries Of Freemasonry
Israel Regardie - The Art Of True Healing
Robert Ellwood - The Encyclopedia Of World Religions

Introduction To The Elder Edda

Introduction To The Elder Edda Cover

Book: Introduction To The Elder Edda by John Ronald Tolkien

The Elder Edda is not a single continuous narrative, but a collection of poems, most of which are preserved in the Konungsbok, or Codex Regius (King's Book), copied in Iceland about A.D. 1270. The poems are the work of many poets. Their language suggests that they were composed between 800 and 1100 A.D. and first written down between 1150 and 1250 A.D. The poems are a rich source of information for culture and belief among the Vikings. They are not, however, purely Scandinavian. Christian Irish influence is likely, while the Sigurd story draws on actual events among the tribes that invaded the Roman Empire between 350-600 A.D.

The Elder Edda first came to scholarly attention in the seventeenth century as antiquarian interest in the non-classical past was growing in Europe. It was published in its entirety just as intense romantic and nationalistic interest in the perceived tribal Ancestors of the European nation states emerged towards the end of the eighteenth century. This interest, combined with the new science of philology, ensured popular and scholarly interest in texts like the Elder Edda. Some of the lays were available in bowdlerized versions even for children by the later nineteenth century. In the hands of Richard Wagner, the Elder Edda became the foundation of one of the century's masterpieces. While northern legends and the scholarship based on it were misused by the Nazis to develop and further their ideas of race, they are seriously misrepresented by such ideas. In the 1960s, the poet W. H. Auden in collaboration with an Old Norse scholar, Paul B. Taylor, produced a translation of sixteen of the poems.

Download John Ronald Tolkien's eBook: Introduction To The Elder Edda

Free eBooks (Can Be Downloaded):

Anonymous - Introduction To The Old Religion Lesson 8
Anonymous - Introduction To The Old Religion Lesson 7a
John Ronald Tolkien - Introduction To The Elder Edda

Tuesday, September 21, 2010

Futhark A Handbooks Of Rune Magic

Futhark A Handbooks Of Rune Magic Cover

Book: Futhark A Handbooks Of Rune Magic by Edred Thorsson

Complete book of rune instruction including definitions of the 24 runes of the Elder Futhark. Includes discussion of phonetic values, derivation and magical qualities of each rune, as well as exercises, chants, rituals, all geared for self-development.

This book is written by a very experienced historical linguist and practicing Norse pagan. The former means he won't miss any known information about the runes, but unfortunately the latter means that he has lots of speculative material of the own which he mixes in with his scholarship. This wouldn't be so bad, but he rarely bothers to tell you which is which, so if you want to know the strictly historical facts about the runes, this is definitely NOT your book.

"Futhark" remains the best available introduction to Rune magic. While one should read from many sources (including other works by the same author), this work holds the kernel of all the techniques one needs to follow and practice the path of Rune Work. Much has been written concerning Thorsson's/Flower's adherence to other cults and it must be admitted that this led to schism between the author and the Odinic Rite. Personally, I believe that what Edred gets up to elsewhere is his affair. Technically speaking, this book is still the best introduction. If you are seriously interested in the runes, read it.

Edred Thorsson whose real name is Stephen Edred Flowers (a well known academic) has become a contraversial figure within Asatru/Heathenism and Academic Runology due to his Setian/Satanic memberships and Odian veiws. However this book, his first to be published on the runes, was written whilst he was a member of the Asatru Free Assembly and the Odinic Rite UK so some of the ideas in this book reflect this. The book is mostly a combination of Armanen rune lore mixed with Asatru/Odinism and Neo-Pagan magical practices plus academic runology. For a beginner in rune study, a difficult book to separate fact from fiction. For an advanced student, if you can already seperate the false from fact, you won't need this book! Probably a book better suited to those who want to study Armanen Rune Yoga in an 'Elder FUTHARK' and Neo Pagan/New Age format.

Find Edred Thorsson's book in amazon.com:
Futhark A Handbooks Of Rune Magic

Suggested ebooks:

Arthur Edward Waite - The Book Of Ceremonial Magic
Edred Thorsson - Futhark A Handbooks Of Rune Magic

Monday, September 20, 2010

Victory Or Valhalla The Final Compilation Of Writings By David Lane

Victory Or Valhalla The Final Compilation Of Writings By David Lane Cover

Book: Victory Or Valhalla The Final Compilation Of Writings By David Lane by David Lane

David Lane was a prolific writer who tackled all of the issues imperative to the survival of our race. Some of the material contained in these pages will be familiar to those who have read Deceived, Damned & Defiant. However, this book also contains newer writings, including his fictional story "KD Rebel" as well as his last interview.

The 14 words created by David Lane are immortal words. The White Race is in great danger. This collection of writings by David Lane is fantastic. He was a "MAN AGAINST TIME". In Germany a lot of people know David Lane's 14 words. We also enjoy his great writings. David Lane had been a competent author with wide-ranging knowledge of the world. We must unite our race to survive.

Buy David Lane's book: Victory Or Valhalla The Final Compilation Of Writings By David Lane

Free eBooks (Can Be Downloaded):

Hilda Roderick Ellis - Road To Hel A Study Of The Conception Of The Dead
Aleister Crowley - Liber 049 The Collected Writings Of Jack Parsons
Robin Artisson - Path Of Initiation The Fivefold Pattern Of The Witching Way
Dw Owens - Dictionary Of Gods A Small Dictionary Of Pagan Gods And Goddess

Wednesday, August 4, 2010

Siegfried The Hero Of The North And Beowulf The Hero Of The Anglo Saxons

Siegfried The Hero Of The North And Beowulf The Hero Of The Anglo Saxons Cover

Book: Siegfried The Hero Of The North And Beowulf The Hero Of The Anglo Saxons by Zenaide Alexeievna Ragozin

The hero of the Nibelungenlied. Siegfried was the son of Siegmund (Sigmund), the king of the Netherlands, and Sieglind (Sisibe or Hjordis). His counterpart was the hero Sigurd, who appeared in many of the Icelandic and Scandinavian sagas, such as the Volsunga Saga. Siegfried was knighted at the age of eighteen. Siegfried hearing of Kriemhild's great beauty, the hero decided to woo Kriemhild. Siegfried also hoped to win fame and glory through his own prowess in warfare. Siegfried became lord of Nibelungland, after killing the two brothers, Schilbung and Nibelung. Siegfried gained the Nibelungs' treasure and the cloak of darkness (Tarnkappe) from Alberich, the dwarf and Nibelungs' treasurer. Siegfried also possessed the sword Balemung and the horse. Siegfried skin became invulnerable when he killed a dragon and was bathed in the dragon's blood. The only vulnerable spot on his body was on his back where a large leave covered fell on his back between his shoulders. Only Kriemhild knew of her husband's weakness. Hagen would later tricked Kriemhild to reveal this weakness to him. When Siegfried arrived in Worms, a city in Burgundy, Gunther won his friendship. Though he sought to woo Gunther's sister, he did not see her until a year later. They were only formerly introduced, after helping the king to win the war against the Saxons and the Danes, when Siegfried captured the two kings. Siegfried fell in love with Kriemhild, and her brothers approved of the marriage, if the hero would help Gunther win Brunhild in marriage. Siegfried does so by defeating the warrior-queen, using his magic cloak, Tarnkappe. Brunhild thought she was contesting Gunther. There was a double wedding. Whereas Siegfried's marriage was happy, Gunther was humiliating. When Gunther had tried to make love to his new wife, Brunhild fought him, bound the king, and hanged the king up on the wall. Gunther was no match for Brunhild's superhuman strength. Again, Siegfried had to secretly overcome Brunhild for Gunther. When Brunhild finally submitted to husband, Siegfried stole her ring and girdle, gave them to Kriemhild. The ring and girdle became symbols of their deception over Brunhild.

A man of great strength, Beowulf, pits himself in struggle against a monster, Grendel. Hero defeats Monster, and is rewarded with Treasures and his praises are sung. Then the plot twists, even in the ancient manuscripts of yore, Grendel's mother seeks revenge. She is a demon from the line of Cain, cursing humanity and hating all that brings happiness to mankind. Beowulf must also slay her to free the land from it's curse and to allow the people in it to rejoice and enjoy life in the mead hall. Later ,in old age, Beowulf must don his armor once again. he must wear the fine web mail to face yet another monster. A fierce dragon attacks his kingdom,and Beowulf faces his last battle. He Kills the dragon, but is himself fatally wounded. His kingdom falls into disarray , without it's strong hero to protect the people they are soon overrun by neighboring tribes. In the latest incarnation, however, it is mans own weakness,and lust that is the down fall of all great heroes. The monster of pride, arrogance, greed, and lust is the most terrifying opponent, and it is our own internal weakness that brings us all down, preventing us all from being heroes.

Download Zenaide Alexeievna Ragozin's eBook: Siegfried The Hero Of The North And Beowulf The Hero Of The Anglo Saxons

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Jean Despagnet - The Hermetic Arcanum The Secret Work Of The Hermetic Philosophy
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Zenaide Alexeievna Ragozin - Siegfried The Hero Of The North And Beowulf The Hero Of The Anglo Saxons

Saturday, July 31, 2010

The Legend Of The Red Deer

The Legend Of The Red Deer Cover The following legend may be related to the Deer Man, and is provided here for those who love the old tales:

"Long ago the bear and the red deer lived together in mutual respect of their great strength and power. The deer wore a pebble on its crown between its antlers. This pebble was called the Stone of Belzoar (bezoar), and originated from within the deer itself.

A time came when serpents overwhelmed the region in which the deer and bear lived. The stone of Belzoar made the deer immune to the venom of the serpents, but the bear wa left in danger. Therefore the bear left his home and went away in exile. The red deer gave thanks to the stone of Belzoar and he remained as the only master of the forest and the mountain.

The Bear, living far away in its forced exile, grew envious and resentful of the red deer. One day he returned and killed the deer. A man witnessed the event and later removed the antlers of the deer, tossing the carcass into the deep waters of a lake. The man took the stone of Belzoar away to his home.

One day as the bear was running through the forest he became impaled on the deer’s antlers. Unable to free himself he eventually died of starvation.

According to legend the spirit of the red deer emerges from the lake on certain nights and seeks his antlers and the stone of Belzoar. His complaining sounds can be heard in the night"

Books You Might Enjoy:

William Godwin - The Lives Of The Necromancers
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Wednesday, July 28, 2010

Pagan Traditions In Daily Life

Pagan Traditions In Daily Life Cover Many people choose to integrate pagan traditions into their daily life by setting up one or more personal shrines or altars in their home or yard. The personal altar can be simple or elaborate; it can be set up according to traditional parameters as established by one's community, or it can be an innovative, individual expression of faith and devotion. Since the purpose behind a shrine is to foster a sense of devotion or daily connection with one's deities, anything that contributes to such a purpose would be acceptable. One's shrine might include statues of gods and/or goddesses; symbols of nature, particularly of the elements of air, water, fire, and earth; candles and/or incense; the practitioner's journal or "Book of Shadows" (a journal containing one's rituals and magical lore), meaningful objects from the natural world (such as crystals, feathers, seashells, or water from a holy well), and any other item that might have particular religious or spiritual significance.

The shrine can function as a focal point for personal meditation, or as a devotional "offering" to one's gods or goddesses, or as a working altar, which can be used in rituals or ceremonies. As in the design of a shrine or altar, the ways in which it is used are subject to each person's preferences. Some practitioners could conceivably create a personal shrine or altar that functions as little more than a work of art - a visual reminder of spirituality that never gets touched or directly engaged in. Others may have a more interactive relationship with their shrine or altar, continually rearranging the items on the altar or bringing new items of interest to supplement or supplant older objects already there. Some Pagans enjoy collecting statues, jewelry, posters, books, or other items that can be displayed in their home as a way of creating a magical or mythical "feel" to their living space.

Pagans have a variety of attitudes toward prayer. Some feel that prayer is meaningless, since it implies an external deity "out there" or "up there" to whom one addresses one's petitions. Others think of prayer as an appropriate activity, even if belief is placed in a god or goddess who is found within. Instead of, or in addition to, prayer, meditation - whether involving visualization, recitation of a mantra, or Buddhist-style breath awareness - can also be a part of an individual's practices, depending on his or her interest and inclination. Other borrowed religious practices, from the use of a mala or rosary, to yoga or Tai Chi, to lectio divina, to chanting, may also be incorporated into an individual's daily spirituality. Because of the freedom and tolerance within nature spirituality as a whole, each person is free to fashion his or her own devotional life as their own interests dictate.

Books You Might Enjoy:

Anonymous - Witchcraft Dictionary
Athena Gardner - Witchcraft Dictionary Of Craft Terms
Sepharial - Primary Directions Made Easy

Pagan Symbolism

Pagan Symbolism Cover A visitor to a bookstore or gift shop that caters to Pagans will notice a broad assortment of symbolic jewelry: pentacles and pentagrams, Thor's hammer and the Minoan labrys, the Sheela-na-Gig and the crescent moon. Even symbols borrowed from other faith traditions, including the Yin-Yang, the Qabalistic Tree of Life, and the Medicine Wheel, feature prominently in the world of nature-centered and magical spirituality. What the observer may deduce - and rightly so - is that no single image or symbol holds universal prominence within this highly diverse and decentralized spiritual path. Unlike the Christian cross, the Jewish Star of David, or the Sanskrit OM, no one symbol fully defines the multi-faceted world of Paganism.

Nature religions also employ symbolism borrowed from other faith traditions. Wicca's links to Ceremonial Magic and occultism include, for at least some wiccan lineages, a strong emphasis on Hermetic Qabalah (a non-specifically-Jewish permutation of the Kabbalah that emerged within the occult community between the 15th and 17th centuries); this means that the Tree of Life is significant to their spiritual practice. Pagans who practice divination use related symbols including the glyphs of astrology and the imagery from the Tarot. Meanwhile, the Daoist Yin-Yang symbol and the Christian Celtic Cross (particularly when drawn as an equal-armed cross) are used by some segments of the Pagan community as symbols of the cosmos as a whole. Often these images from other religions are re-interpreted within a Pagan context; for example, the Celtic Cross does not symbolize the death of Jesus for Pagans, but rather functions as a European variation on the medicine wheel: the circle symbolizing eternity and/or the goddess, the cross symbolizing the four directions and/or the god.

Some Pagans employ more abstract symbolism as well. For example, wiccans often will use colors to signify the elements and deity: yellow is associated with air, red with fire, blue with water, green with earth, black with the goddess, and white with the god. The four suits of the Tarot deck have similar associations: swords signifying air, wands fire, cups water, and pentacles earth. Such associations may vary slightly from group to group; many groups prefer to associate wands with air and swords with fire, for example.

Perhaps the most ubiquitous symbol of all within paganism is so widespread and commonly held that it often goes unnoticed - the circle. The circle has a strong feminine association, linked to the vulva or the womb (in contrast to the more masculine/phallic symbolism of the straight line). Likewise, the circle has strong associations with nature: the earth is round, the earth moves in a circular orbit around the sun, the moon likewise progresses in a circular progression around the earth. Reincarnation suggests a circular movement of souls between death and life. Although not all Pagan traditions explicitly use the circle in rituals in the same way that Wiccans do with "circle casting," even culturally specific forms of Paganism often conduct ceremonies in a circle - subtly reinforcing the nearly universal Pagan rejection of hierarchy.

Books You Might Enjoy:

Sepharial - A Manual Of Occultism
Anonymous - Pagan Holidays
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