Andy Collins Exhibitions And Paintings At Saatchi Gallery

Andy Collins was innate on 1971 in Atlanta, Georgia. He did BFA, Atlanta Affiliation of Art, Atlanta, Georgia in 1994 and MFA, School in of Explicit Arts, New York in 1999. Andy Collins^aEURTMs paintings are deliciously fake. Bracing and fixed, his considerable effortless canvases are ill vacuums of glamour. Piece from make photos, Collins^aEURTMs indistinguishable forms are resulting from the unseen in-between sitting room of supermodel spreads. Folds in objects, creases in elbows, lap up and armpits become a motif of fetishised muse. Their contours are retraced and suggested forms are overstated, creating subtle motifs that are both ecological and electrifying. Collins^aEURTMs wealth is one of well-nigh morose fixation. Loot in the least months to whole a sculpture, he studiously constructs his on your doorstep forms only by hand, departure no crumb of brushwork. In Untitled, his biomorphic construction, a sublime empty beauty, mesmerises both seduction and worthlessness.

Andy Collins^aEURTMs paintings radiate with a transcendental eroticism, bringing about a heightened donate of perceptive wherever physical sensuality bench cerebral clarification. Inspired by the prurience of make adverts, Untitled^aEURTMs construction construes desire^aEURTMs prolonged residue as a Rorschach-like distortion; a mandala of allurement and aim. Collins conceives eloquent incredulity as an disguised void; his paintings band with a voyeuristic inclination. While element and indifferent, his obsessive wealth (of up to 30 layers of total contention) infuses his melodious start with a convincing dependence.

Andy Collins's paintings are models of pictorial progress. In close proximity sculpture with a minimalist's fetishism, Collins hones his canvases to the simplest and boldest statements to capitalise on the power of suggested form. Piece from photos, Andy Collins removes the reliant, focussing pretty on the lingering justification of understood image. His indistinguishable patterns uphold the person of their primarily picture, and extrapolate a senior convoluted interpretation, provocative expressive and spiritual reactions to qualities of start, colour and construction. In Untitled, Andy Collins presents a motif of mesmerising consonance. His biomorphic form insinuates animal tactility; aim clinical adaptation, Andy Collins elevates these connotations to a metaphysical edge, creating a sensuality that's sophomoric and conceptually pure.

Specific Lone EXHIBITIONS

2005

^aEURc Mary Boone Terrace, New York

^aEURc Corvi-Mora, London

^aEURc Artemis Greenberg Van Doren, New York

2004

^aEURc Marc Foxx, Los Angeles

2003

^aEURc Marc Foxx, Los Angeles

^aEURc Corvi-Mora, London

2002

^aEURc Ghislaine Hussenot, Paris

2001

^aEURc Marc Foxx, Los Angeles

^aEURc Galleria Emilio Mazzoli, Modena, Italy

2000

^aEURc Audiello Agreeably Art, Inc., New York

1999

^aEURc Audiello Agreeably Art, Inc., New York

Conclusions:

Andy Collins's paintings are models of pictorial progress. In close proximity sculpture with a minimalist's fetishism, Collins hones his canvases to the simplest and boldest statements to capitalise on the power of suggested form. Piece from photos, Andy Collins removes the reliant, focussing pretty on the lingering justification of understood image. His indistinguishable patterns uphold the person of their primarily picture, and extrapolate a senior convoluted interpretation, provocative expressive and spiritual reactions to qualities of start, colour and construction.

At all to Do With

If you wish any information about Andy Collins or looking for his paintings fit understand us on http://www.saatchi-gallery.co.uk/artists/andy collins.htm

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